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Playing the Changes:BASS
A Linear Approach to Improvising
by Paul Del Nero
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Learn More |
Playing the Changes:GUITAR
A Linear Approach to Improvising
by Mitch Seidman and Paul Del Nero |
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Learn More |
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Major 7 |
Minor 7 |
Dominant 7 |
Minor 7 ( 5) |
Dominant 7
( 9, b13) |
Dominant 7
(9, 13) |
CMaj7  |
C–7 |
C7 |
C–7( 5) |
C7(9,13) |
C7(9,13) |
| FMaj7 |
F–7 |
F7 |
F–7(5) |
F7(9,b13) |
F7(9,13) |
| BMaj7 |
B–7 |
B7 |
B–7(5) |
B7(9,b13) |
B7(9,13) |
| EMaj7 |
E–7 |
E7 |
E–7(5) |
E7(9,b13) |
E7(9,13) |
| AMaj7 |
A–7 |
A7 |
A–7(5) |
A7(9,13) |
A7(9,13) |
| DMaj7 |
D–7 |
D7 |
D–7(5) |
D7(9,13) |
D7(9,13) |
F Maj7 |
F–7 |
F7 |
F–7(5) |
F7(9,13) |
F7(9,13) |
| BMaj7 |
B–7 |
B7 |
B–7(5) |
B7(9,13) |
B7(9,13) |
| EMaj7 |
E–7 |
E7 |
E–7(5) |
E7(9,13) |
E7(9,13) |
| AMaj7 |
A–7 |
A7 |
A–7(5) |
A7(9,13) |
A7(9,13) |
| DMaj7 |
D–7 |
D7 |
D–7(5) |
D7(9,13) |
D7(9,13) |
| GMaj7 |
G–7 |
G7 |
G–7(5) |
G7(9,13) |
G7(9,13) |
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© Berklee College of Music 1998-2005 |