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Playing the Changes:BASS
A Linear Approach to Improvising
by Paul Del Nero
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Playing the Changes:GUITAR
A Linear Approach to Improvising
by Mitch Seidman and Paul Del Nero |
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Learn More |
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Major 7 |
Minor 7 |
Dominant 7 |
Minor 7 ( 5) |
Dominant 7
(  9, b13) |
Dominant 7
( 9, 13) |
CMaj7 |
C–7 |
C7 |
C–7( 5) |
C7( 9, 13) |
C7( 9,13) |
FMaj7  |
F–7 |
F7 |
F–7( 5)  |
F7( 9,b13) |
F7( 9,13) |
B Maj7  |
B –7 |
B 7 |
B –7( 5)  |
B 7( 9,b13) |
B 7( 9,13) |
E Maj7  |
E –7  |
E 7 |
E –7( 5)  |
E 7( 9,b13)  |
E 7( 9,13) |
A Maj7  |
A –7 |
A 7 |
A –7( 5) |
A 7( 9, 13)  |
A 7( 9,13)  |
D Maj7 |
D –7 |
D 7  |
D –7( 5)  |
D 7( 9, 13)  |
D 7( 9,13)  |
F Maj7  |
F –7 |
F 7 |
F –7( 5) |
F 7( 9, 13)  |
F 7( 9,13)  |
BMaj7 |
B–7  |
B7 |
B–7( 5) |
B7( 9, 13)  |
B7( 9,13)  |
EMaj7 |
E–7 |
E7 |
E–7( 5) |
E7( 9, 13)  |
E7( 9,13) |
AMaj7  |
A–7  |
A7  |
A–7( 5) |
A7( 9, 13)  |
A7( 9,13)  |
DMaj7 |
D–7  |
D7 |
D–7( 5) |
D7( 9, 13) |
D7( 9,13) |
GMaj7  |
G–7 |
G7  |
G–7( 5) |
G7( 9, 13) |
G7( 9,13) |
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© Berklee College of Music 1998-2005 |